마리아 스트라티구(피아노)

쇼팽과 리스트와 동시대에 작곡된 피아노를 위한 연습곡
루이즈 파랑크는 19세기에 가장 중요한 여성 피아니스트 중 한 사람으로, 당대 최고의 거장이었던 모셸레스와 훔멜로부터 피아노를 공부했으며, 슈만으로부터 극찬을 받았다. 그리고 파리음악원에서 교편을 잡은 두 번째 여성이었다. 파랑크의 피아노 전곡 1집에 수록된 연습곡들은 그의 피아노 실력이 최고 수준이었음을 대변한다. <모든 조성을 포함한 30곡의 연습곡>은 어려운 기교뿐만 아니라 피아노의 서정성과 서사성, 그리고 역사성까지 아우르며, 두 번째 음반에 수록된 57곡의 연습곡은 짧은 순간에 타오르는 다양한 소리의 불꽃이 매우 경이롭다.

#세계 최초 녹음#

Farrenc: 30 Piano etudes, Op. 26
No. 1 in C Major, Allegro moderato ed energico
No. 2 in C Major, Moderato
No. 3 in A Minor, Allegro non troppo
No. 4 in G Major, Allegro moderato
No. 5 in E Minor, Vivace
No. 6 in D Major, Andante grazioso
No. 7 in D Major, Andante espressivo
No. 8 in B Minor, Andantino
No. 9 in A Major, Andante con moto
No. 10 in F-Sharp Minor, Adagio
No. 11 in E Major, Presto
No. 12 in E Major, Moderato. Fuga a due Soggetti
No. 13 in C-Sharp Minor, Moderato. Canone
No. 14 in B Major, Vivace
No. 15 in G-Sharp Minor, Andante affettuoso
No. 16 in F-Sharp Major, Andante grazioso
No. 17 in E-Flat Minor, Allegro agitato
No. 18 in D-Flat Major, Moderato e cantabile
No. 19 in B-Flat Minor, Presto
No. 20 in A-Flat Major, Allegretto. Canone
No. 21 in A-Flat Major, Adagio
No. 22 in F Minor, Allegro molto
No. 23 in E-Flat Major, Fuga
No. 24 in E-Flat Major, Tempo di marcia
No. 25 in C Minor, Allegro energico
No. 26 in B-Flat Major, Moderato
No. 27 in G Minor, Allegro agitato
No. 28 in F Major, Allegro spiritoso
No. 29 in D Minor, Fuga. Andante
No. 30 in D Minor, Allegro
Farrenc: 12 Piano etudes, Op. 41 "Brillantes"
No. 1 in C Minor, Allegro con fuoco
No. 2 in G Major, Allegro moderato
No. 3 in D Minor, Allegro
No. 4 in B-Flat Major, Allegretto
No. 5 in D-Flat Major, Andante con moto
No. 6 in F Minor, Allegro maestoso
No. 7 in E-Flat Major, Andante espressivo
No. 8 in C Minor, Allegro
No. 9 in C Major, Vivace
No. 10 in A Minor, Vivace
No. 11 in F Major, Allegro
No. 12 in B Minor, Moderato
Farrenc: 20 Piano etudes de moyenne difficulte, Op. 42
No. 1 in E Minor, Allegro moderato
No. 2 in G Major, Vivace e leggiero
No. 3 in C Major, Andante
No. 4 in A Minor, Allegro moderato
No. 5 in F Major, Allegretto
No. 6 in D Minor, Andante con moto
No. 7 in D Major, Moderato
No. 8 in G Major, Andante
No. 9 in D Major, Allegro
No. 10 in G Minor, Allegro
No. 11 in E-Flat Major, Andante
No. 12 in B-Flat Major, Moderato
No. 13 in F Major, Poco lento
No. 14 in C Major, Allegro
No. 15 in F Major, Andante
No. 16 in A Major, Allegretto scherzando
No. 17 in A Minor, Moderato
No. 18 in E Major, Andante grazioso
No. 19 in F-Sharp Major, Adagio religioso
No. 20 in B Minor, Poco allegro
Farrenc: 25 Piano etudes faciles, Op. 50
No. 1, Pour bien lier le chant. Andante grazioso
No. 2, Pour la precision dans. Andantino
No. 3, Pour exercer le staccato leger dans les deux mains. Allegretto
No. 4, Pour les batteries avec une partie soutenue. Poco allegro
No. 5, Pour alterner avec egalite des deux mains dans les accords. Allegro moderato
No. 6, Pour detacher legerement de deux en deux avec d'inegales valeurs. Allegretto
No. 7, Pour exercer le trille. Andante grazioso
No. 8, Pour les tierces liees. Allegretto
No. 9, Pour l'egalite dans les gammes. Allegro moderato
No. 10, Pour lier et soutenir le chant dans la main droite. Andante espressivo
No. 11, Pour l'egalite des arpeges meles de silences. Poco allegro
No. 12, Pour exercer les batteries de la main gauche. Allegro
No. 13, Pour bien lier une basse chantante. Andante
No. 14, Pour acquerir de la vivacite et de l'egalite dans les deux mains. Allegro
No. 15, Mouvement de Valse que l'on doit jouer d'une maniere gracieuse. Vivo
No. 16, Pour bien lier les doubles et triples notes. Andante
No. 17, Pour exercer divers genres de batteries. Allegro
No. 18, Mouvement de Valse dans le genre lie. Allegro moderato
No. 19, Pour l'egalite dans des valeurs semblables des deux mains. Andante con moto
No. 20, Pour alterner egalement deux par deux avec chaque main. Allegro moderato
No. 21, Pour exercer et faire entendre bien exactement les doubles et triples notes. Poco allegro
No. 22, Pour donner de la legerete et de la souplesse a la main gauche. Allegretto
No. 23, Exercice pour la repetition d'une meme figure. Allegro
No. 24, Pour les notes liees, a plusieurs parties. Andante
No. 25, Pour l'egalite dans les triolets, des deux mains. Allegro

적립혜택	290p
결제혜택	신용카드 할인안내
배송비	핫트랙스 무료배송 도서산간 지역 추가 요금 있음묶음배송 상품보기

LOUISE FARRENC - COMPLETE PIANO WORKS 1 - ETUDES/ MARIA STRATIGOU [파랑크: 연습곡 - 마리아 스트라티구]